Instructor Q&A: Deanna Roy

“Self-publishing is really about believing in the words you’ve put together, no matter what an agent or editor is saying.” -Deanna Roy Deanna Roy is teaching a class for the Writers’ League called “Succeeding in the Current Self-Publishing Market.”  This class will give writers a better understanding of what the

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Instructor Q&A: Lindsey Lane

“Often writers think they have to add a bunch of characters and conflicts into their short stories, as if a very simple, inevitable story isn’t enough. That’s not true. What writers need to focus on instead is building the indelible richness of how that short story unfolds.” -Lindsey Lane Lindsey

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Online Class Instructor Q&A: Stephanie Noll

“When you choose a point of view, you are choosing the lens through which you want your reader to see the world you are creating.” -Stephanie Noll Stephanie Noll is teaching an online class for the Writers’ League called “Whose Story Is it? Playing with Point of View.” Choosing a point

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Instructor Q&A: Stephanie Barko

“It’s never too early to find the readers for your next book.” -Stephanie Barko Stephanie Barko is teaching a class for the Writers’ League of Texas called “Start Your Author Platform” on February 4 at St. Edward’s University in Austin, TX. This class will be appropriate for writers ready to promote their

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Instructor Q&A: Stacey Swann

“Keep submitting to the journals you love and don’t be daunted when the best story you’ve ever written is rejected forty times in a row.” -Stacey Swann Stacey Swann is teaching a class for the Writers’ League of Texas called “How to Submit to Journals” on January 28 at St. Edward’s University

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Instructor Q&A: Charlotte Gullick

“Prose writers can struggle with being succinct, effective use of imagery, and with the rhythm of sentences. Studying poetry can help us enliven and streamline our material.” -Charlotte Gullick Charlotte Gullick is teaching a class for the Writers’ League of Texas called “Better Prose Through Poetry: Using Rhythm, Repetition and Other

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Instructor Q&A: Donna M. Johnson

“The best memoirs are always an interrogation of the self, the historical self, yes, but also the hidden, more mysterious aspects of the self.” -Donna M. Johnson Donna M. Johnson is teaching a class for the Writers’ League of Texas called “Deepening the Narrative: Moving Beyond the Self in Memoir”

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Instructor Q&A: Jodi Egerton

“When you crowdfund a book, you create buzz–before that book is even launched. Suddenly you have a whole group of backers ready to celebrate when your book is released. You’ve also got an automatic number of pre-orders you can share. Once the book is complete, your updates to your backers–planning

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Instructor Q&A: Carol Dawson

“When embarking on revision, every writer needs to enter a space that seems contradictory: both entirely objective (as if he or she was a reader picking up the work for the first time) and deeply in tune with the creative forces and intention that shaped the work’s first draft to

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Instructor Q&A: Greg Garrett

“Act Two of a novel is the place where the majority of the story happens, and where emotions and plot get ramped up to almost unbearable levels. It’s the largest part of the story, in every way.” -Greg Garrett Greg Garrett is the author or co-author of over twenty books

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